The Political Party was the name of the hybrid event, a fairly blantant effort to re-enact the success of Trampoline Hall vs. David Miller back in 2003, where an overflow crowd at the Gladstone Hotel basically anointed him the sort of mayor worthy of West Queen West. (See starry-eyed account of the event here.) That neighbourhood has since sprouted a revamped Drake Hotel, disparaged condo complexes with names like Bohemian Embassy, and late-night noise complaints. Things are relatively sober in the stretch of Little Italy that houses Revival, though, a renovated church that seems to be the sort of nightspot that post-adolescent suburbanites flock to when they’ve tired of the skeezy club district. Monday night, however, validated the presence of a deadpan demographic not given much thought in civic election campaigns prior to Miller’s love-in — the closest thing to a term for this category of middle-aged generation gap-closer is grups. (Coined by Toronto ex-pat Adam Sternbergh in New York magazine, the word might prove too silly to catch on, maybe because its roots are found in an episode of Star Trek.) Culturally speaking, this group is most responsive to messages delivered in “medium funny” (termed by Rob Sheffield in Rolling Stone), as represented by the radio show This American Life, publications like The Believer, and the demi-celeb status of enigmatically unprolific local writer Sheila Heti — who initially ran the Trampoline Hall lecture series, and was in the audience for this opportunity to provide equal time to Jane Pitfield. The Political Party emcee, Misha Glouberman, is yet another personification of this sensibility — he’s got all the stage presence of a comedian, yet lacks the motivation to construct a joke. “We encourage you to internalize your feelings,” he admonished the audience. “Bottle them up and let them rot you from within.” Protocol at this event did not allow for booing, see. The relatively genteel format involved Pitfield and Miller each getting 15 minutes of spotlight to themselves, followed by questions from a panel of three Spacing and/or Eye Weekly-affiliated pundits, and then the forum for closing platitudes. Those seeking an argument this season would’ve been better off attending mayoral showdowns in Leaside, Weston or Upper Canada College, all of which were scrappier.
Regardless, this wasn’t going to be Jane Pitfield’s show, even if she stacked the room with 30 of her supporters, leaving at least that many grups to attempt to listen to the proceedings from the sidewalk. Yet, in some sort of perpendicular universe, she’d be the ideal candidate for girls who wear glasses — and the men who awkwardly stalk them — with the enhancement of a vintage wardrobe, and maybe a pillbox hat. Without the mayor in the line of fire, she kept the scolding tone to a merciful minimum, although a woman who scaled the corporate ladder by 30 and had three kids by 35 can’t possibly connect with overeducated female voters waging the war against spinsterism in the mid-‘00s. Pitfield observed how the healthy turnout must’ve had something to do with the fact that alcohol was being served — even if all the drinks were at weekend prices, and bar service was barred during the speeches, in deference to the headliners. She certainly wasn’t going to use this setting to harp on the need to bring the suburbs into the city hall conversation, let alone suggest that Toronto residents are filled with envy of the 905, but she did point out how urban police officers looked to the outlying region as a better place to raise their families. Yet another faux pas in the Spacing arena, however passively mentioned, was her suggestion that street posters were an eyesore — yet she was quite emphatic that her dream of future subway stations underwritten by corporate sponsors would keep the tie-in subtle, especially since the city owns the TTC no matter what. The audience was predictably comprised of people whose concern for the underprivileged was inversely proportional to their own upbringings. “I don’t want to use the ‘G’ word”, cautioned Pitfield in the course of making a point about eroding social services, but since that reference didn’t register, she began to spell it out anyhow, “G-H-E …” She also boasted of being a friend of the Aboriginal Peoples — having chaired their committee at city hall — which then forced Jane to express hope that members of the 98.6 per cent Caucasian audience weren’t snickering at her.
Following an intermission, Mayor David Miller leapt to the stage in his business casual wardrobe and slightly less didactic speaking style to match, seeming a bit flu-ish but nonetheless empowered by his one-sided opportunity. However, he was also playing to a more jaded assembly than perhaps envisioned, since several of his cues for audience enthusiasm were met with no stamping of feet. The speech was a recital of his pragmatic playbook, with emphasis on the need for a transit strategy funded on the federal and provincial levels, something that “even the United States” has gotten around to embracing. There was the inevitable Clintonian reference to a recent first-person encounter. (“Junior” graduated from a carpentry program facilitated by the city — and now he looks people in the eye around his neighbourhood, rather than gazing at the ground.) Folks from Take the Tooker, a campaign to build a bike lane that links Bloor St. with Danforth Ave., made their presence visible with a sign — Eye Weekly city editor Edward Keenan questioned Miller about how Mel Lastman managed to get farther along with the Bike Plan than a supposedly greener city council has over the past three years. “I’ve been campaigning since May,” chuckled Miller, “and no one has compared anything I’ve done to my predecessor until now.” The mayor managed to smoke out anything that resembled a provocative question, though, only looking a bit vulnerable when the collapse of the Expo 2015 bid was cited by Keenan as the fifth consecutive failed mega-project that was supposed to rejuvenate the derilict Port Lands. But the fact that Miller’s affection for a world’s fair was emotionally motivated by the fact that his mother took him to Expo 67 in Montreal the day after they moved from England to Canada resonated even less with this GenerationXY crowd than a faded NFB filmstrip would.
The second part of the party was a performance from the band Hot One, featuring Nathan Larson and Emm Gryner — two beneficiaries of the tail end of major record company largesse who’ve since gone on to more lucrative careers on the fringes. Nice idea, but the abrasive music was cranked too loud, and those remaining cleared out faster than they would have if Stephen LeDrew stormed in demanding equal time.
[* pictured is David Miller beside "J.P." of JP Public Relations -- no relation to Jane Pitfield, although he’s been working with her this campaign … "J.P." traveled to the event via limousine, and stands to inherit the rung of local show business previously represented by Gino Empry, for whose recent funeral he served as media liaison …]
Flashback to the groundbreaking attempt to bring something artistically subversive to a Toronto mayoral race, circa 1982: The Hummer Sisters: The Art of Satire.